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American Odyssey

by Nanseera

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1.
2.
Seattle 03:59
It’s a lonely night in Seattle Down in the basement I wrap a quilt around my feet And my bad decisions It’s a lonely night in Seattle Went to the beach at dark And I jumped off a ten-foot board To be in the air just like you are I want to go back home with you But I’ve got too much pride To change my mind So what have I done? Every plane in the sky has you onboard I wave at you from the front porch Can you see me? I’m acting like a child again It’s a lonely night in Seattle I got a little place all to myself Isn’t that what I always wanted? My imagination can have it back It’s a lonely night Seattle’s light dips her toes Into the water See them glide I want to go back home with you But I’ve got too much pride To change my mind So what have I done? Every plane in the sky has you onboard I wave at you from the front porch Can you see me? Can you see me And every mistake I’ve made? Didn’t know what it meant to break away Didn’t realise that you’d be so far away Can you see me? Can you see me? Can you see I’m acting like a child again Acting like a goddamn child again I’m acting like the child that I am
3.
Atlanta 06:20
I always pay for parking So I don’t mind walking to your attic I’m in search of something beautiful And I’m hoping you might have it If you don’t that’s alright I’ll catch you another night I was planning on skipping town anyway If you lost it that’s okay I’ll find it some other place In the next town over maybe I’ll drive down Ponce de Leon Where the trees grow tall by the side of the road Where the churches are plenty with their parking lots half empty And my high school on the corner Thank god for that, thank god it’s over I can see the city skyline Atlanta’s turning blue in the distance Finding something new in the distance It’s a long ride home You don’t remember 285 stretching this far Driving in circles Just to end up where it started Tell me it’s a lie Oh darling why would you be Skipping town anyway? Let’s go down to Little Five The city always comes alive at night Remember Ponce de Leon? Where you turned the dial on the radio Where the churches are plenty, where you planned to spend your twenties With your high school on the corner How can it be that it’s over Look at the city skyline Atlanta’s turning blue in the distance Slowly losing you to the distance What if I go looking for myself And I find out she’s right where I began? What if I get stuck in avenues and boulevards That I know like the back of my hand? There’s plenty written on this page The lock is broken on this cage I’ve got to go out on my own But remember Ponce de Leon Where we waited for the bus to take us home Where the churches are plenty and their parking lots are empty And my high school on the corner Sometimes I forget it’s over I can see the city skyline Atlanta’s turning blue In my rearview Ooh
4.
Ceiling fan film study in the night Searching hard for something in the light They say that nothing good comes easily Try to let go, let your mind be free Oh I’ve searched through every corner of my mind But oh the road is clear outside Baby let’s go to Houston Let’s do something we’re not used to Bowie’s alive on the radio The map will tell us where to go We’re not here for winning or for losing We’re just cruisin', cruisin' Houston Watch the cars and clouds as they pass by Nothing here but us and the Texas sky Remember we were scared to run away Now I’d take you and Houston any day Oh the sun’s on my face, not a trace of us to be found Oh they’re gonna miss me when I’m not around Baby let’s go to Houston Let’s do something we’re not used to Bowie’s alive on the radio The map will tell us where to go We’re not here for winning or for losing We’re just cruisin', cruisin’ Houston Baby let’s go to Houston Let’s do something we’re not used to Bowie’s alive on the radio The map will tell us where to go We’re not here for winning or for losing We’re just cruisin' (cruisin' cruisin' cruisin' Houston) Cruisin’ Houston (cruisin' cruisin' cruisin' Houston) (cruisin' cruisin' cruisin' Houston)
5.
Four Corners 03:48
Buy a necklace in New Mexico And a pretty little dreamcatcher You’ll fit right in at a festival Another gift shop, another state line Something to take back home to grandma From Utah, Colorado, Arizona Do a backbend Four corners Little pieces of you Crossing the borders Do a backbend For the photograph You might look at later Overall you thought it was kind of overrated Sell a ring you made to an English girl In the Navajo Nation Another tourist to forget about When the heat kicks in, it’s the same old show Be personable and patient For another summer minivan invasion Do a backbend Four corners Little pieces of you Crossing the borders Do a backbend For the photograph Put a plastic tent in the desert Get your microphones and your dancers Feel the shaky gaze of an iPhone Feel the pain of your ancestors Put a taco truck in the parking lot Bring your alcohol in your red pick-up Let the kids run free, pray that they grow old Carry light for the ones who've left us Do a backbend Four corners Little tin can Crossing the borders Do a backbend For the photograph You might look at later Overall you thought it was kind of ovverrated
6.
Mobile 05:04
Hop in the car, we’re on an adventure Driving all the way to Mobile This is your cousin and this is your hometown From many generations ago Walk through the graveyard, me and my brothers Are staring at stones in the ground That’s great-grandma Sarah, slave owner from Selma Can you feel her rolling around? I wrote in my diary I’ll get my matches and gasoline Oh I wrote in my diary I’ll burn it all till it’s smithereens They’ll ask me “Why did you burn down Mobile? Can’t you see there’s something beautiful here? Why did you burn down Mobile? Get off your high horse, you’re not the victim here.” Dining room ceilings stretch up to the heavens Portraits on every wall That’s great-grandma Sarah, slave owner from Selma She holds her guitar just like you I wrote in my diary I’ll get my matches and gasoline Oh I wrote in my diary I’ll burn it all till it’s smithereens They’ll ask me “Why did you burn down Mobile? Can’t you see there’s something beautiful here? Why did you burn down Mobile? Get off your high horse, you’re not the victim here.” Welcome to church. It’s all marble and windows And big money stained into glass And Jesus the savior is dying across from Highly hung confederate flags I saw a black woman and then a policeman Her body was pulled to the ground It seems like nothing has changed in Mobile Except me and my brothers are in town
7.
8.
St. Louis 04:08
I take the bus the last stretch home Grateful to be half alone I look out the window At places I don’t belong And my mind is in St. Louis My mind is in Kansas City baby Where I didn’t have to know what I was doing My mind is rattling around In a red tin can with you I’m about fifty miles from Georgia I’m nervous to come back and hold ya I can’t stay for very much longer I watch the city emerge from a canopy of green And my mind is in St. Louis My mind is in Kansas City baby Where I didn’t have to know what I was doing My mind is rattling around In a red tin can with you And I’m back, fancy that, listening to NPR / Thinking ‘bout the future I’m feeling scared and unprepared, but I guess that’s how it is / for every new adventure So if you catch me in a daze, seemingly unfazed by this place you’ll know That my mind is in St. Louis My mind is in Kansas City baby Where I didn’t have to know what I was doing My mind is, my mind is, my mind It’s in St. Louis My mind is in Osgood, Indiana, Alabama, Kansas, Kansas City baby I don’t know what I’m doing But I know my mind is Floating up and down, taking in the sounds, rattling around In a red tin can with you I’m about fifty miles from my new home Another place for me to belong
9.
Boston 03:36
My love I would like very much to apologize My love I won’t lie Sometimes I think I should have stayed Cause I still think about Sitting with you, common room Asking me now to tell the truth Pool table leaning against the wall Inside I am trying to numb it all Cause I can’t find my home (I can't find my home) I’m lost without it I can’t find my way back (I can't find my way) Back without it Back to Boston without it Back to Boston without Boston without Boston without ah ah ah Back to Boston without Boston without Boston without ah ah ah My love I could say There’s a way to make sense of this But I don’t know why it played it out like it did They say there’s a reason A reason for everything Even now, I still think about Holding your hand on the porch step Up in the loft trying to worry less Walking from Cambridge to Brookline If I’d had the words, I would have told you that I can’t find my home (I can't find my home) I’m lost without it I can’t find my way back (I can't find my way) Back without it Back to Boston without it Back to Boston without Boston without Boston without ah ah ah Back to Boston without Boston without Boston without ah ah ah (Can't find my home)
10.
Houses of brick and of plaster and wood I’ve known many Street names and classrooms and hearts that are good I’ve seen plenty Old city skylines, the dirt roads of my life, Have shown me a world that is wide But this is my constant, it’s all that I’ve known It’s a place that I sometimes forget I can go It’s the kitchen sink daydreams The cherry and oak It’s another goodbye and hello It’s my home Boxes and big trucks have become A kind of punctuation Marking close hugs and heartbreaks and the growing pains of separation New city skylines, the highways of my life Have shown me more loss than I’d like But this is my constant, it’s all that I’ve known It’s a place that I sometimes forget I can go It’s the lonely blue nightmares The cherry and oak It’s another goodbye and hello It’s my home Sometimes I envy the people who stay They keep all their memories in a little house, or a little town by the way It’s a place they can go just in case Their whole world crumbles under the weight Of what’s new But I find that solace in you You are my constant, you’re all that I’ve known And yours are the arms that have pushed me to grow Through the daydreams and nightmares And memories I own With you it is there that I go, to the place that’s alive in our souls To the roots of the cherry and oak, yes there’s always a way We can go home
11.
Home (Outro) 01:50

credits

released January 3, 2022

1 Alone [Intro]
Sanja Steinwand - reflections, Nanseera Wolff - keyboard
Mixing: Dudley Merriam
Mastering: Justin Weis

2 Seattle
Nanseera Wolff - lead vocals/acoustic guitar, Trent Jones - electric guitar, Spencer Ford - electric guitar, Patrick Geoghan - electric bass, Jack Dratch - drums/piano
Writer: Nanseera Wolff
Produced by: Spencer Ford
Engineers: Isaac Diskin, Spencer Ford
Mixing: Gawain Mathews
Mastering: Justin Weis

3 Atlanta
Jacinta Fernandes Brough - reflections, Nanseera Wolff - lead vocals/acoustic guitar, Michael Ramos - bass/bass overdubbing, Jack Dratch - drums/electric piano, Spencer Ford - synthesizers, keyboards
Writers: Nanseera Wolff, Spencer Ford
Produced by: Spencer Ford
Engineers: Isaac Diskin, Spencer Ford
Mixing: Gawain Mathews
Mastering: Justin Weis

4 Houston
Nanseera Wolff - lead vocals/background vocals, Spencer Ford - lead vocals/acoustic guitar/electric guitar, Beverly Blouin - background vocals, Olivia Babuka-Black - background vocals, Trent Jones - electric guitar, Jack Dratch - drums
Writers: Nanseera Wolff, Spencer Ford
Produced by: Spencer Ford
Engineers: Isaac Diskin, Spencer Ford, Dudley Merriam, Nanseera Wolff
Mixing: Gawain Mathews
Mastering: Justin Weis

5 Four Corners
Nanseera Wolff - lead vocals, background vocals Sydney Miyao - piano, Spencer Ford- electric guitar, background vocals Kyle Skarshaug - drums
Writer: Nanseera Wolff
Piano arrangement by: Sydney Miyao
Produced by: Spencer Ford
Engineers: Isaac Diskin, Spencer Ford
Mixing: Gawain Mathews
Mastering: Justin Weis

6 Mobile
Nanseera Wolff - vocals/banjitar
Writer: Nanseera Wolff
Engineer: Isaac Diskin
Mixing: Dudley Merriam
Mastering: Justin Weis
Could say Produced by: Nanseera Wolff

7 America [Interlude]
Jacinta Fernandes Brough - reflections, Nanseera Wolff - keyboard
Mixing: Dudley Merriam
Mastering: Justin Weis

8 St Louis
Nanseera Wolff - lead vocals/background vocals/acoustic guitar, Beverly Blouin - background vocals, Olivia Babuka-Black - background vocals, Spencer Ford - background vocals/electric guitar/percussion/keyboards, Trent Jones - electric guitar, Patrick Geoghan - electric bass, Jack Dratch - drums/percussion, Gawain Mathews - B3 Organ
Writer: Nanseera Wolff
Producers: Spencer Ford
Engineers: Isaac Diskin, Spencer Ford, Nanseera Wolff
Mixing: Gawain Mathews
Mastering: Justin Weis

9 Boston
Nanseera Wolff - lead vocals/soprano, Jenna Earhart - soprano, Avery Chapman - alto, Sydney Altbacker - alto, Gabe Schonman - tenor/vocal percussion, Spencer Ford - tenor, Arron Edgecombe - baritone/bass
Writer: Nanseera Wolff
Arranged by: Sydney Altbacker
Produced by: Nanseera Wolff, Sydney Altbacker
Engineers: Spencer Ford, Dudley Merriam
Mixing: Joshua Meehan
Mastering: Justin Weis

10 Cherry and Oak
Nanseera Wolff - lead vocals/acoustic guitar, Trent Jones - electric guitar, Brian Russell - mandolin, Gawain Mathews - dobro, Patrick Geoghan - bass, Jack Dratch - drums
Writer: Nanseera Wolff
Producers: Nanseera Wolff, Spencer Ford
Engineers: Isaac Diskin, Spencer Ford
Mixing: Gawain Mathews
Mastering: Justin Weis

11 Home [Outro]
Sanja Steinwand - reflections, Jacinta Fernandes Brough - reflections, Nanseera Wolff - keyboard
Composed by Nanseera Wolff
Mixing: Dudley Merriam
Mastering: Justin Weis

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